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. .
. [it is] something unearthly . . . If there are sentient
beings on other planets, then they play Go.
Dar
de asta ce ziceti ?
Oooo!
Pai e clar: in perioada Edo, in Japonia, tipele (unele, cel putin) stiau
Go. Si baietii, normal, trebuia sa invete si ei cite ceva ca sa poata
intra in vorba cu ele.
There
are on the Go board 360 intersections plus one. The number one is supreme
and gives rise to the other numbers because it occupies the ultimate
position and governs the four quarters. 360 represents the number of
days in the [lunar] year.
The
board has to be square, for it signifies the Earth, and its right angles
signify uprightness. The pieces of the two sides are yellow and black;
this difference signifies the Yin and the Yang -- scattered in groups
all over the board, they represent the heavenly bodies. These significances
being manifest, it is up to the players to make the moves, and this
is connected with kingship. Following what the rules permit, both opponents
are subject to them -- this is the rigor of the Tao.
That
play of black upon white, white upon black, has the intent and takes
the form of creative art. It has in it a flow of the spirit and a harmony
of music. Everything is lost when suddenly a false note is struck, or
one party in a duet suddenly launches forth on an eccentric flight of
his own. A masterpiece of a game can be ruined by insensitivity to the
feelings of an adversary.
The
board is a mirror of the mind of the players as the moments pass. When
a master studies the record of a game he can tell at what point greed
overtook the pupil, when he became tired, when he fell into stupidity,
and when the maid came by with tea. |